Shiva
Rudra, Shiva's Vedic forerunner, was the red god of storms and
lightning, the terrifying god living in the mountains and god
of cattle and medicine who must be propitiated. As god of lightning,
Rudra became associated with Agni, god of fire - and consumer
and conveyor of sacrifice. With Rudra as his antecedent, Shiva
could claim as his inheritance the position of priest of the gods
and of candidate for divine supremacy. By contrast with Brahma,
a personification of a relatively late abstract principle, Shiva
could combine with his Vedic antecedents features reaching even
farther back than the Vedic age. He had characteristics of the
Indus god, and his powers, especially in the epics, were said
to derive from the practice of austerities, that is from yoga
rather than from sacrifice. Such powers heightened his claims
as priest of the gods. In the aspect of a yogi Shiva is depicted
with a snow-white face, is dressed in a tiger skin and has matted
hair. Rudra's original character as god of cattle is extended
by combining it with that of the pre-Aryan Lord of the Beasts.
The bull is of course universally considered as a symbol of fertility,
and this aspect of the lord of cattle had attached to Rudra. But
the pre-Aryan Lord of the Beasts exacted sacrifice, because of
the ritual connection of sacrifice (death, murder and violence)
with plant and animal fertility - a basic cult of agricultural
peoples and the foundation of Indian mythology in pre- and post-Aryan
periods. The fertility-giving aspect of Shiva is thus reinforced
by identification with the yogic Lord of the Beasts, and at the
same time the idea of violence present in Rudra is underlined.
Shiva Bhairava, the Destroyer, is thus by extension Shiva the
bringer of fertility, the creator, the 'Auspicious'. In this sense
his activity as destroyer is essential to that of Brahma as creator,
and Brahma is thus sometimes said to be inferior to Shiva. For
this reason Shiva is known as Mahadeva or Iswara, Supreme Lord.
His supreme creative power is celebrated in worship of the lingam
or phallus.Shiva repeatedly demonstrates his mastery of austerities
as the source of power. Thus in the epic version of the slaying
of Vritra by Indra, Vritra has obtained power to create illusions,
endless energy, unconquerable might and power over the gods because
Brahma cannot deny it to him after his practice of austerities.
Shiva alone of the gods has sufficient strength gained by yoga
to pit against that obtained by Vritra. It is Shiva who, by backing
Indra and lending him his strength, enables him to overcome Vritra.
On another occasion Shiva acquired strength to make him superior
to all the gods combined. At one time the asuras had obtained
a boon from Brahma which consisted of the posession of three castles
which could only be conquered by a deity and then only if he could
destroy them with a single arrow. From these bastions the asuras
made war on the gods, none of whom was strong enough to shoot
the fatal shaft. Indra, king of the gods, asked Shiva for his
advice; Shiva replied that he would transfer half his strength
to the gods and that they would then be able to overcome their
enemies. But the gods could not support even half of Shiva's strength,
so instead they gave half of their own strength to Shiva, who
proceeded to destroy the asuras. However, he did not return the
gods' strength to them but kept it for himself, and ever after
was the greatest of the gods. He is often depicted as a demonslayer,
in which role he is called Natesa, and is seen dancing on the
body of an asura. He sometimes wears an elephant skin belonging
to an asura he killed. His boons are also positive: he is worshipped
as giver of long life and god of medicine, and his help is inestimable
as strengthener of warriors. He is in a sense indiscriminate in
his role, for he is ready to give help to anyone who would worship
him. Thus in the Mahabharata Arjuna is said to have journeyed
to the Himalayas to propitiate the gods before the outbreak of
the great war, but got into a fight with a mountaineer who was
Shiva in disguise. When he discovered who his adversary was he
worshipped him and was not only forgiven but also given a powerful
magic weapon. On the other hand Aswathaman, who was on the opposing
side in the Bharata war, and who also fought tenaciously with
Shiva until he realised who he was, threw himself on a sacrificial
fire in the god's honour, this being the only offering he could
make; as a reward for this Shiva entered into his body, so enabling
him to slay all about him. Among Shiva's beneficent roles is that
of distributor of the seven holy rivers. The Ganges, which winds
round Brahma's city on Mount Meru in the Himalayas, descends from
the mountains in great torrents. Shiva, in order to break the
fall, stands beneath the waters, which wind their way through
his matted locks and divide into seven, the holy rivers of India,
Shiva performed a vital service to the gods and thus to the world
during the churning of the ocean of milk, the object of which
was to produce amrita, or ambrosia, which was to strengthen the
gods in their struggle against the demons. After some time his
serpent Vasuki, whom the gods were using as a churning rope, vomited
forth poison, and this was about 0 fall into the ocean of milk,
contaminate the ambrosia and thus destroy he gods. But Shiva stepped
forward, aught the poison in his mouth, and as saved from swallowing
it himself only by the efforts of his wife Parvati, who by strangling
him held the poison in his throat, which turned it blue.
Shiva Apart from his blue throat, Shiva is represented as a fair
man, with five faces, four arms and three eyes. The third eye
appeared in the centre of his forehead one day when Parvati playfully
covered his eyes and thus plunged the world into darkness and
put it in danger of destruction- it is a powerful weapon, for
by fixing it upon his enemies Shiva can destroy them with fire.
With this eye, he kills all the gods and other creatures during
the periodic destructions of the universe. His other weapons are
a trident called Pinaka, which is a symbol of lightning and characterises
Shiva as god of storms; a sword; a bow called Ajagava; and a club
with a skull at the end, called Khatwanga. Further weapons are
the three serpents which twine around him and may dart out at
enemies: one coiled in his piled up, matted hair and raising its
hood above his head; one on his shoulder or about his neck; and
one which forms his sacred thread. In addition to the weapons,
most of Shiva's personal attributes emphasise the violent aspects
of the deity, for which he is most generally known. These include
his head-dress of snakes and necklace of skulls, which he wears
when haunting cemeteries as Bhuteswara, lord of ghosts and goblins.
In the character of Bhairava his violent nature is intensified,
for he is then said to take pleasure in destruction for its own
sake. When depicted in such roles Shiva is attended by troops
of imps and demons. In his role as stern upholder of righteousness
and judge, he carries a drum shaped like an hourglass and a rope
with which to bind up sinners. Apart from the lingam, personal
attributes which characterise Shiva as god of fertility are the
bull Nandi which accompanies him or whose symbol in the shape
of a crescent moon he wears on his brow, encircling his third
eye, and the serpents which twine about him. Many of Shiva's violent
aspects are symbolised in the characters of his consorts, who
are particularly associated with his bloody rites. The yoni, which
is their emblem as the lingam is his, is known as his shakti,
or female energy. Shiva likes to dance in joy and in sorrow, either
alone or with his wife Devi, for he is the god of rhythm. Dancing
symbolises both the glory of Shiva and the eternal movement of
the universe, which it serves to perpetuate. But by the Tandava
dance he accomplishes the annihilation of the world at the end
of an age and its integration into the world spirit, so that it
represents the destruction of the illusory world of maya. Maya
no longer refers to Varuna 's creative energy in the universe;
it is that which governs life on earth, the illusion of material
reality, and that from which by various means the faithful seek
to free themselves. When dancing Shiva represents cosmic truth;
he is surrounded by a halo and accompanied by troops of spirits.
He is watched by anyone fortunate enough to be granted the vision.
Shiva is generally depicted immobile, as an ascetic - naked, his
body smeared with ashes and his hair matted. His meditation and
austerities build up his spiritual strength, giving him unlimited
powers to perform miracles - and also strengthening his powers
as fertility god, for the two roles are not so antithetical as
might at first appear from the myth in which he kills Kama, god
of desire, by burning him up with the fire from his third eye.
Though Shiva may have struck Kama dead for having interrupted
his meditations, the effect of Kama's shaft was not thereby nullified.
By still further delaying his union with Parvati, thereby causing
Parvati herself to perform austerities in order to arouse his
interest and causing all the gods to hope anxiously for the consummation
of his desire, Shiva in effect heightened the desire and strengthened
the force of his role as fertility god. The child produced from
his union with Parvati was one of the strongest of the later pantheon:
Karttikeya, god of war, who to some extent supplanted Agni.. It
was the angry sage Bhrigu who caused Shiva to be worshipped in
the form of the lingam. He was sent by the other sages to test
the three gods of the triad to see which was the greatest. When
he reached Shiva the god did not welcome him; he was engaged with
his wife and would not be interrupted. For his lack of respect
due to a sage, Bhrigu cursed Shiva to be worshipped as the lingam.
Brahmat also failed to gain Bhrigu's approval for he was too occupied
with his own self-importance to receive the sage with due courtesy.
Vishnu was sleeping when Bhrigu reached him and the sage rudely
kicked him in the ribs. Instead of rising in wrath Vishnu, full
of concern, asked him if he had hurt himself, gently rubbing the
foot, which had injured him. Bhrigu went away proclaiming that
this was the god most worthy of adoration - such compassion and
humility before a sage was the mark of greatness. Shiva quarreled
with many of the gods, for though he claimed the right to judge
their actions and to punish them, many of the other gods in turn
considered him to be a Brahminicide because he struck off one
of Brahma's heads, for which offence he was condemned to be a
wanderer and to perform penances. The gods mocked at him as an
ugly, homeless mendicant, unclean, ill-tempered and a haunter
of cemeteries. Eventually, however, like Brahma and Vishnu, Shiva
acquired a heaven of his own. This was situated on Mount Kailasa,
in the Himalayas, and was the scene of his austerities and where
the Ganges descended on his head.
|