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 Andal's songs are imbued with bridal mysticism. 
                          Her life-history is misty with legends and myths. She was 
                          supposed to be discovered as an infant lying under a Tulsi 
                          (Basil) plant by the temple priest, Perialwar, also known 
                          as Vishnuchitta. Her birth date has been assigned by modern 
                          scholars to the middle of 7th century A.D.  The Vishnu temple at Srivilliputtur (some 
                          sixty kilometres from the modern city of Madurai) was where 
                          Andal developed her bridal devotion. Daily she would deck 
                          herself with flower garlands and imagine herself to be the 
                          bride of Krishna. In her imagination, she went back to the 
                          times when Krishna sported with Gopis in Gokula on the banks 
                          of the Yamuna river.  She deemed herself to be a Gopi, rising early in the morning, 
                          waking her companions from sleep, having a ritualistic bath 
                          and going to Nandagopa's residence to pay homage to Krishna. 
                          This imagery is the central theme of Tiruppavai, a string 
                          of 30 songs.  Legend has it that Andal was taken in bridal attire to Sri 
                          Ranganatha's temple at Srirangam, where she entered the sanctum 
                          sanctorum got merged with the Lord.  The temple at Srivilliputtur today houses the images of Ranganatha 
                          and Andal, as the Lord and His spouse, where thousands throng 
                          to worship, especially during the month of Margasirsa (December 
                          15 to January 15). Recitation of Andal's 30 songs of Tiruppavai is resorted to 
                          by women of South India during this period.
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