Introduction of Ganesa Beyond
The Indian Frontiers |
Champa:
To the east of Funan and Cambodia was situated the kingdom of Champa,
which is now occupied by the central and southern Annam. The very
name Champa is thoroughly Indian and it is clear from the monuments,
statuary and inscriptions found in that ancient country that the
early civilization flourishing there was due to strong influence
from India. Contact with India started from about the early centuries
of the Christian era and the Influence of the Amaravati school is
visible on its early artistic creations. As in Cambodia, in Champa
too the principal Hindu cult was that of Siva. In fact, Saivism
was held in such a high esteem by the Cham dynasty, that it claimed
direct descent from Siva. The most important centre of Saivism was
in the Quangdam where, between 4th to 7th century innumerable sancturies
were erected at Mi-so'n alone. Alongwith Siva, Ganesa naturally
found his way into Champa.
There is epigraphical evidence to show that temples were erected
and dedicated to Ganesa. One such sanctury was at Po Nagar. From
the cultural evidence it appears that Ganesa was quite popular during
7th-8th centuries A.D. A most impressive statue of Ganesa was discovered
at Mi-so'n where a Saiva shrine was found.22 It depicts a standing
Ganesa wearing a dhoti. like lower garment (Sampot), very similar
to the Indian ardhoruka, reaching knees. It is held in' position
on waist by what looks like a cord (kati-sutra).Originally four
armed, two of its back arms are now missing. In the lower left hand
is a bowl of sweets which he is eating with his trunk. He wears
sparse jewellery and there is no crown on his head, but the naga-yajnopavita
is seen. The statue is dated to about 8th century, As compared to
the Khmer representations of Ganesa, this image appears rather bulky.
It is characterised by rather coarse plastic treatment. Another
seated image was also found at Mi-so'n,23 Yet most interesting is
the Gal)eS3 image in the Saigon Museum. It is unfortunately in 3
mutilated condition. It shows the god seated, and with two hands,
Curiously enough it has three deep set eyes. He also has a small
prabMvalaya at the back. According to Boisselier, it is the only
representation of its kind in the whole of South-east Asia,24
In some of the Cham statues of Ganesa we notice usnisa, the protruberence
on the head, which'is supposed to be a symbol of great men (maha-purusa-laksana).
This, in fact, is a characteristic of the Buddha images and it is
not, therefore, unlikely that the Buddhist iconography influenced
the Hindu image. This becomes all the more possible in view of the
fact that both the religions flourished in Champa side by side.
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